The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon

Voorkant
Claudia Gitelman, Randy Martin
Wesleyan University Press, 4 jun 2007 - 296 pagina's

Long overdue reflections on a visionary choreographer

A groundbreaking choreographer, lighting designer, composer, and costumer, Alwin Nikolais (1910–1993) is recognized as one of the twentieth century's most innovative artists. Incorporating novel technological and performance tactics, he invented a total language of non-literal dance theater that attracted audiences worldwide for over forty years. The Returns of Alwin Nikolais is the first book devoted to a critical analysis of Nikolais's work, and it provides a broad and important overview of his artistic and philosophical trajectory. The volume brings together essays by scholars of dance history, theater studies, music, and art history, and includes primary materials such as reviews, diary excerpts, and photographs. It is a valuable resource for teachers and students of art and culture.

Contributors: PHILIP AUSLANDER, HERBERT BLAU, JANA FEINMAN, MARK FRANKO, BOB GILMORE, CLAUDIA GITELMAN, YVONNE HARDT, REBEKAH KOWAL, RANDY MARTIN, NAIMA PREVOTS, AND MARCIA SIEGEL.

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Inhoudsopgave

Sense Your Mass Increasing with Your Velocity
26
The Omniloquence of Alwin Nikolais
46
Alwin NikolaisDancing Across Borders
64
Being Motion Alwin Nikolais Queer Objectivity
82
Flights of Angels Scattered Seeds
107
The Music of Alwin Nikolais A Provisional Study
132
Motional Abstraction Alwin Nikolais Formalism
154
Period Plots Canonical Stages
170
DOCUMENTS
184
On Nikolais
194
Chronology of the Choreography of Alwin Nikolais
228
Log of Company Performances
249
Contributors
279
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