Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 65
... BRETON Le deuxième manifeste du Surréa- tieme n'est pas une révélation , maie c'est une réussite . On ne fait pas mieux dans le genre hypocrite , faux - frère , pelotard , saoris- tain , et pour tout dire flio et curs . Oar en somme on ...
... BRETON Le deuxième manifeste du Surréa- tieme n'est pas une révélation , maie c'est une réussite . On ne fait pas mieux dans le genre hypocrite , faux - frère , pelotard , saoris- tain , et pour tout dire flio et curs . Oar en somme on ...
Pagina 66
... Breton a “ cop . ” For this image collapses two of Breton's enterprises onto one another to create a complex but continuous condemnation . On the one hand there is Breton's own 1924 broadside , Un Cadavre , launched after Anatole ...
... Breton a “ cop . ” For this image collapses two of Breton's enterprises onto one another to create a complex but continuous condemnation . On the one hand there is Breton's own 1924 broadside , Un Cadavre , launched after Anatole ...
Pagina 109
... Breton underlines this dismissive vocable . ' But shit is indeed at the center of what Breton would accuse - Bataille of by the end of the manifesto , where he sums up his rage in the characterization of his enemy as an " excrement ...
... Breton underlines this dismissive vocable . ' But shit is indeed at the center of what Breton would accuse - Bataille of by the end of the manifesto , where he sums up his rage in the characterization of his enemy as an " excrement ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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