Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 17
... Carl Einstein ) on the nightingale , that “ sign of eternal optimism , " that cliché of the animal - turned - pet and of bourgeois sentimentality . First , Einstein states the law that regulates all dic- tionaries ( " Words are , for ...
... Carl Einstein ) on the nightingale , that “ sign of eternal optimism , " that cliché of the animal - turned - pet and of bourgeois sentimentality . First , Einstein states the law that regulates all dic- tionaries ( " Words are , for ...
Pagina 62
... Carl Einstein complained about the postcubist bastardization of collage , seeing it “ in dan- ger of sinking into the fakery of petit - bourgeois decoration . " ?? He insults Aragon slightly , yet without reproaching him for having left ...
... Carl Einstein complained about the postcubist bastardization of collage , seeing it “ in dan- ger of sinking into the fakery of petit - bourgeois decoration . " ?? He insults Aragon slightly , yet without reproaching him for having left ...
Pagina 258
... Carl Einstein , “ Rossignol " ( Nightingale ) , in Documents 1 ( critical diction- ary ) , ( 1929 ) , no . 2 , pp . 117-18 ; trans . Dominic Faccini , Encyclopaedia Acephalica , P. 80 . 17. Michel Leiris , “ Crachat : l'eau à la bouche ...
... Carl Einstein , “ Rossignol " ( Nightingale ) , in Documents 1 ( critical diction- ary ) , ( 1929 ) , no . 2 , pp . 117-18 ; trans . Dominic Faccini , Encyclopaedia Acephalica , P. 80 . 17. Michel Leiris , “ Crachat : l'eau à la bouche ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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