Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
Vanuit het boek
Resultaten 1-3 van 18
Pagina 32
... Duchamp , once again , was the first to assault this aspect of modernist repression . As he had done with cubist semiology , he attacked the fortress at the very point where it believed itself to be best protected - in this case , via ...
... Duchamp , once again , was the first to assault this aspect of modernist repression . As he had done with cubist semiology , he attacked the fortress at the very point where it believed itself to be best protected - in this case , via ...
Pagina 133
... Duchamp called out to Man Ray as they began film- ing Anémic Cinéma ( 1925 ) ? " Moteur ! " says the French film director , to which the cameraman responds , “ on tourne , ” “ rolling . " The fly- wheel of the camera is supposed to send ...
... Duchamp called out to Man Ray as they began film- ing Anémic Cinéma ( 1925 ) ? " Moteur ! " says the French film director , to which the cameraman responds , “ on tourne , ” “ rolling . " The fly- wheel of the camera is supposed to send ...
Pagina 135
... Duchamp invents the pulse as one of the operations of the formless , the pulse that brings the news that we " see " with our bodies . Duchamp extended his own attack on the modernist myth of visual purity into other works , such as ...
... Duchamp invents the pulse as one of the operations of the formless , the pulse that brings the news that we " see " with our bodies . Duchamp extended his own attack on the modernist myth of visual purity into other works , such as ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
animal appeared Architecture artist attack base Bataille Bataille's become beginning body Breton called canvas cast castration Collection color condition continues course critical culture death dictionary Documents double Dubuffet effect entropy essay everything example Excess exhibition fact field figure force formless Freud function Georges Gestalt gives hand Hollier horizontal human idea inches interest issue Jean kind kitsch language later less Liquid mark materialism matter means modernist movement Museum nature notes object Oeuvres complètes opening operation opposition organs original painting Paris perhaps photograph Picasso play Pol Bury Pollock position possible Press produce published pure refer relation repression Robert sculpture seems seen sense Smithson space speak structure surface term things tion trans turn University vertical Visions visual wanted whole writes York