Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 15
... Olympia as a pure type , the ideal representative of an established genre . the Olympia caused a scandal , Bataille argues , it was because by means of it Manet refused the various ideological and formal codes regulating the depiction ...
... Olympia as a pure type , the ideal representative of an established genre . the Olympia caused a scandal , Bataille argues , it was because by means of it Manet refused the various ideological and formal codes regulating the depiction ...
Pagina 147
... Olympia Rosalind E. Krauss - And if Cy Twombly's Olympia said , as everyone had always thought , " Olympia " and " morte , " would those two words - in the sugges- tiveness of their interaction and in the setting forth of the proper ...
... Olympia Rosalind E. Krauss - And if Cy Twombly's Olympia said , as everyone had always thought , " Olympia " and " morte , " would those two words - in the sugges- tiveness of their interaction and in the setting forth of the proper ...
Pagina 148
... Olympia itself had acted to transform . " Fuck Olympia " is , we might say , the form through which Manet's painting stripped away the veils of denial and self - deception under which the thrill of libinal possession was carried on in ...
... Olympia itself had acted to transform . " Fuck Olympia " is , we might say , the form through which Manet's painting stripped away the veils of denial and self - deception under which the thrill of libinal possession was carried on in ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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