Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 58
... attack on wooden siding , connotations of poverty con- tinued to emerge ( slums , makeshift shelters ) , but they evaporated at the beginning of the sixties once Burri turned to plastic , the very material of the " reconstruction ...
... attack on wooden siding , connotations of poverty con- tinued to emerge ( slums , makeshift shelters ) , but they evaporated at the beginning of the sixties once Burri turned to plastic , the very material of the " reconstruction ...
Pagina 95
... attack the verticality of the axis the body shares with culture ; it was enough to attack the axis itself to undermine the two together . That Pollock was intent on asking his viewers to see the newly invented idiom of his " drip ...
... attack the verticality of the axis the body shares with culture ; it was enough to attack the axis itself to undermine the two together . That Pollock was intent on asking his viewers to see the newly invented idiom of his " drip ...
Pagina 113
... attack them by insisting that the " marked , " or disprivileged , term of the initial pair be used in the “ higher " position – for ex- ample , by insisting on using " she " as the inclusive , generalizing pronominal reference . But it ...
... attack them by insisting that the " marked , " or disprivileged , term of the initial pair be used in the “ higher " position – for ex- ample , by insisting on using " she " as the inclusive , generalizing pronominal reference . But it ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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