Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
Vanuit het boek
Resultaten 1-3 van 47
Pagina 95
... bodies with an interlaced dribble of thinned paint . But this gesture quickly gave way to a new logic : one need not lit- erally deface the image of a body in order to attack the verticality of the axis the body shares with culture ; it ...
... bodies with an interlaced dribble of thinned paint . But this gesture quickly gave way to a new logic : one need not lit- erally deface the image of a body in order to attack the verticality of the axis the body shares with culture ; it ...
Pagina 135
... bodies . Duchamp extended his own attack on the modernist myth of visual purity into other works , such as Etant donnés ...... . ( 1945–66 ) , which , although they continue to insist that we “ see ” with the body , no longer employ a ...
... bodies . Duchamp extended his own attack on the modernist myth of visual purity into other works , such as Etant donnés ...... . ( 1945–66 ) , which , although they continue to insist that we “ see ” with the body , no longer employ a ...
Pagina 221
... body is also that of the maternal support to which the nursing infant continues to be connected until what Kristeva calls a " semi- otic break ” is performed , which , in separating the infant from the mother's body , institutes the ...
... body is also that of the maternal support to which the nursing infant continues to be connected until what Kristeva calls a " semi- otic break ” is performed , which , in separating the infant from the mother's body , institutes the ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
animal appeared Architecture artist attack base Bataille Bataille's become beginning body Breton called canvas cast castration Collection color condition continues course critical culture death dictionary Documents double Dubuffet effect entropy essay everything example Excess exhibition fact field figure force formless Freud function Georges Gestalt gives hand Hollier horizontal human idea inches interest issue Jean kind kitsch language later less Liquid mark materialism matter means modernist movement Museum nature notes object Oeuvres complètes opening operation opposition organs original painting Paris perhaps photograph Picasso play Pol Bury Pollock position possible Press produce published pure refer relation repression Robert sculpture seems seen sense Smithson space speak structure surface term things tion trans turn University vertical Visions visual wanted whole writes York