Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 94
... culture " ( seen as a form of libidinal energy that could only pro- duce a civilization shackled in Freud's terms - by its own " dis- - - contents " ) , then the field of writing , itself fully programmed as cultural , cannot track this ...
... culture " ( seen as a form of libidinal energy that could only pro- duce a civilization shackled in Freud's terms - by its own " dis- - - contents " ) , then the field of writing , itself fully programmed as cultural , cannot track this ...
Pagina 117
... culture ; it is an angel come to rescue this same culture from its kitsch temptation at the very moment when the bourgeoisie for which it was destined is in the process of disappear- ing as a class ( to be replaced by the shapeless ...
... culture ; it is an angel come to rescue this same culture from its kitsch temptation at the very moment when the bourgeoisie for which it was destined is in the process of disappear- ing as a class ( to be replaced by the shapeless ...
Pagina 277
... culture , acknowledged by much of post - war art , is nonetheless treated as the grounds for an attempt at ... Culture in the Visual Arts " ( 1983 ) , in Modern Art in the Common Culture ( New Haven , CT : Yale University Press , 1996 ) ...
... culture , acknowledged by much of post - war art , is nonetheless treated as the grounds for an attempt at ... Culture in the Visual Arts " ( 1983 ) , in Modern Art in the Common Culture ( New Haven , CT : Yale University Press , 1996 ) ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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