Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 94
... force in man's world : the unconscious . It was not just the surreal- ists , now residing in New York , who were addressing this force , but also important local figures , ones who were especially close to Pollock , such as John Graham ...
... force in man's world : the unconscious . It was not just the surreal- ists , now residing in New York , who were addressing this force , but also important local figures , ones who were especially close to Pollock , such as John Graham ...
Pagina 98
... force constantly active within the vertical field - a force that had been put in play in a move to disable the very formation of form . Kazuo Shiraga , Untitled , 1957 . Oil , watercolor , india ink on paper mounted on canvas , 711⁄2 x ...
... force constantly active within the vertical field - a force that had been put in play in a move to disable the very formation of form . Kazuo Shiraga , Untitled , 1957 . Oil , watercolor , india ink on paper mounted on canvas , 711⁄2 x ...
Pagina 236
... forces us to be explicit on the subject of abjection and to state why and in what way it must be differenti- ated in ... force that strips the laboring masses of their human dig- nity and reproduces them as dehumanized social waste ( its ...
... forces us to be explicit on the subject of abjection and to state why and in what way it must be differenti- ated in ... force that strips the laboring masses of their human dig- nity and reproduces them as dehumanized social waste ( its ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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