Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 5
... Formless A dictionary , begins when it no longer gives the meaning of words , but their tasks . Thus formless is not only an adjective having a given meaning , but a term that serves to bring things down in the world , generally ...
... Formless A dictionary , begins when it no longer gives the meaning of words , but their tasks . Thus formless is not only an adjective having a given meaning , but a term that serves to bring things down in the world , generally ...
Pagina 9
... Formless : A User's Guide has been in germination since the early 1980s , when it became clear to its authors that certain artistic practices with which Georges Bataille's name had never been asso- ciated the sculpture of Alberto ...
... Formless : A User's Guide has been in germination since the early 1980s , when it became clear to its authors that certain artistic practices with which Georges Bataille's name had never been asso- ciated the sculpture of Alberto ...
Pagina 18
... formless [ informe ] , of the unverifiable , of the non- hierarchized . " 17 Leiris goes a bit far and stretches the force of his quack somewhat thin by making it serve too many ends : 18 he gives consistency to the inconsistency of ...
... formless [ informe ] , of the unverifiable , of the non- hierarchized . " 17 Leiris goes a bit far and stretches the force of his quack somewhat thin by making it serve too many ends : 18 he gives consistency to the inconsistency of ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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