Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 26
... horizontal " or " horizontalization . " ) The rotation implied by this lowering is one of the strategies put to work in the most insistent way by Bataille ( it governs many texts in Documents , such as the entries " Bouche " [ Mouth ] ...
... horizontal " or " horizontalization . " ) The rotation implied by this lowering is one of the strategies put to work in the most insistent way by Bataille ( it governs many texts in Documents , such as the entries " Bouche " [ Mouth ] ...
Pagina 90
... horizontal field . Indeed , Lacan's own intense fascina- tion , in the 1970s , with the Palazzo Barbarini's painting of Nar- cissus by Caravaggio ( figure 26 ) , in which a beautiful , rustically clad boy kneels at the edge of a pond ...
... horizontal field . Indeed , Lacan's own intense fascina- tion , in the 1970s , with the Palazzo Barbarini's painting of Nar- cissus by Caravaggio ( figure 26 ) , in which a beautiful , rustically clad boy kneels at the edge of a pond ...
Pagina 94
... horizontal cast of this kind of imagery - horizontal despite any particular position in which it might be encountered ( as Benjamin wrote , it is " the internal meaning " that remains horizontal ) – Steinberg related to what he called ...
... horizontal cast of this kind of imagery - horizontal despite any particular position in which it might be encountered ( as Benjamin wrote , it is " the internal meaning " that remains horizontal ) – Steinberg related to what he called ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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