Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 24
... modernist period ( the most flagrant case is that of Pollock ) ; certain works by modernist totems , such as Pablo Picasso , which had previously been consid- ered minor were foregrounded ; certain artists marginalized by the modernist ...
... modernist period ( the most flagrant case is that of Pollock ) ; certain works by modernist totems , such as Pablo Picasso , which had previously been consid- ered minor were foregrounded ; certain artists marginalized by the modernist ...
Pagina 26
... modernist discourse must admit some exceptions ) . But these are foundational myths : their solidarity seals the coherence of modernism as an interpretive grid . The four operations that we have retained in the name of the form- less ...
... modernist discourse must admit some exceptions ) . But these are foundational myths : their solidarity seals the coherence of modernism as an interpretive grid . The four operations that we have retained in the name of the form- less ...
Pagina 256
... Modernist Myths ( Cambridge , MA : MIT Press , 1985 ) . See also Krauss , " Corpus Deliciti , " October , no . 33 ... Modernist Painting " ( 1960 ) , reprinted in Clement Greenberg , Modernism with a Vengeance , 1957-1969 , ed . John O ...
... Modernist Myths ( Cambridge , MA : MIT Press , 1985 ) . See also Krauss , " Corpus Deliciti , " October , no . 33 ... Modernist Painting " ( 1960 ) , reprinted in Clement Greenberg , Modernism with a Vengeance , 1957-1969 , ed . John O ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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