Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
Vanuit het boek
Resultaten 1-3 van 30
Pagina 7
... PULSE Abattoir 43 Base Materialism 51 Cadaver 63 Dialectic 67 Entropy 73 Figure 79 Gestalt 89 Horizontality 93 Isotropy 103 Jeu Lugubre 109 Kitsch 117 Liquid Words 124 " Moteur ! " 133 No to ... the Informel 138 No to ... Joseph Beuys ...
... PULSE Abattoir 43 Base Materialism 51 Cadaver 63 Dialectic 67 Entropy 73 Figure 79 Gestalt 89 Horizontality 93 Isotropy 103 Jeu Lugubre 109 Kitsch 117 Liquid Words 124 " Moteur ! " 133 No to ... the Informel 138 No to ... Joseph Beuys ...
Pagina 32
... pulse alone sex- ualizes the gaze ( see " Moteur ! " " below ) .31 Following Duchamp , Giacometti furthers this irruption of the libidinal in the visual field by means of a simple beat - with the throbbing " movement " of his Suspended ...
... pulse alone sex- ualizes the gaze ( see " Moteur ! " " below ) .31 Following Duchamp , Giacometti furthers this irruption of the libidinal in the visual field by means of a simple beat - with the throbbing " movement " of his Suspended ...
Pagina 135
... pulse of erotic friction . But because the pulse itself , in its diastolic repetitiveness , associates itself with the density of nervous tissue , with its temporality of feedback , of response time , of retention and protension , of ...
... pulse of erotic friction . But because the pulse itself , in its diastolic repetitiveness , associates itself with the density of nervous tissue , with its temporality of feedback , of response time , of retention and protension , of ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
animal appeared Architecture artist attack base Bataille Bataille's become beginning body Breton called canvas cast castration Collection color condition continues course critical culture death dictionary Documents double Dubuffet effect entropy essay everything example Excess exhibition fact field figure force formless Freud function Georges Gestalt gives hand Hollier horizontal human idea inches interest issue Jean kind kitsch language later less Liquid mark materialism matter means modernist movement Museum nature notes object Oeuvres complètes opening operation opposition organs original painting Paris perhaps photograph Picasso play Pol Bury Pollock position possible Press produce published pure refer relation repression Robert sculpture seems seen sense Smithson space speak structure surface term things tion trans turn University vertical Visions visual wanted whole writes York