Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 71
... relation to the economy of the universe what crime represents in relation to the law . " One might believe that this transgression of the law leads back to the dialectic . Not at all : the law ( the common measure ) simply masks the ...
... relation to the economy of the universe what crime represents in relation to the law . " One might believe that this transgression of the law leads back to the dialectic . Not at all : the law ( the common measure ) simply masks the ...
Pagina 142
... relation to what , along with Bataille , we mean by this term . Dubuffet's usage is , rather , akin to something ... relations drawn at the time between informel painting and micro- or macro- photography ( relations that were , as ...
... relation to what , along with Bataille , we mean by this term . Dubuffet's usage is , rather , akin to something ... relations drawn at the time between informel painting and micro- or macro- photography ( relations that were , as ...
Pagina 251
... relation to Kelley , it must be done ( as with Sherman ) in a far more operational way than is current in discourse of the art world , with its insistence on themes and substances.36 And no one makes this clearer than Kelley him- self ...
... relation to Kelley , it must be done ( as with Sherman ) in a far more operational way than is current in discourse of the art world , with its insistence on themes and substances.36 And no one makes this clearer than Kelley him- self ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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