Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 52
... term agiology would perhaps be more precise , but one would have to catch the double meaning of agios ( analogous to the double meaning of sacer ) , soiled as well as holy . But it is above all the term scatology ( the science of ...
... term agiology would perhaps be more precise , but one would have to catch the double meaning of agios ( analogous to the double meaning of sacer ) , soiled as well as holy . But it is above all the term scatology ( the science of ...
Pagina 112
... term ( both repeating it and raising it , as it were ) is what they would call the “ unmarked " term in the oppositional pair , which is to say , the term that is less specific semantically . If “ old ” is less specific than “ young ...
... term ( both repeating it and raising it , as it were ) is what they would call the “ unmarked " term in the oppositional pair , which is to say , the term that is less specific semantically . If “ old ” is less specific than “ young ...
Pagina 113
... terms : the unmarked term already germinat- ing with the potential to rise toward higher orders of generaliza- tion , of abstraction . This indeed is why Bataille wants the reader of " The Language of Flowers " to remain with the real ...
... terms : the unmarked term already germinat- ing with the potential to rise toward higher orders of generaliza- tion , of abstraction . This indeed is why Bataille wants the reader of " The Language of Flowers " to remain with the real ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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