Formless: A User's GuideZone Books, 1997 - 296 pagina's Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the formless been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others. |
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Pagina 192
... Uncanny Rosalind E. Krauss Roland Barthes opens his curiously first - person account of the nature of photography with a story . “ One day , ” he says , “ I happened on a photograph of Napoleon's youngest brother , Jerome , taken in ...
... Uncanny Rosalind E. Krauss Roland Barthes opens his curiously first - person account of the nature of photography with a story . “ One day , ” he says , “ I happened on a photograph of Napoleon's youngest brother , Jerome , taken in ...
Pagina 193
... uncanny , and it is in fact evoked by Barthes in the final image of Camera Lucida , where pho- tography's traumatic , nonsymbolizable condition is unleashed by the filmed sequence of a man ... Uncanny . " ( Bellmer's project 193 UNCANNY.
... uncanny , and it is in fact evoked by Barthes in the final image of Camera Lucida , where pho- tography's traumatic , nonsymbolizable condition is unleashed by the filmed sequence of a man ... Uncanny . " ( Bellmer's project 193 UNCANNY.
Pagina 202
... uncanny . Or rather , to one of the two types articulated by Freud : not that related to the return of repressed infantile com- plexes , but that related to “ primitive beliefs " that have been “ sur- mounted " - to wit , animism . It ...
... uncanny . Or rather , to one of the two types articulated by Freud : not that related to the return of repressed infantile com- plexes , but that related to “ primitive beliefs " that have been “ sur- mounted " - to wit , animism . It ...
Inhoudsopgave
PREFACE | 9 |
BASE MATERIALISM Abattoir 43 | 21 |
HORIZONTALITY Gestalt | 89 |
Copyright | |
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