Anagram, what, and when first produced, N. 60. Andromache, a great fox-hunter, N. 57. April, (the firft of) the merrieft day in the year, N. 47. Aretine made all the Princes of Europe his tributaries, N. 23. Arietta, her character, N. 11. her fable of the lion and the man, in anfwer to the ftory of the Ephefian Matron, ibid. her ftory of Inkle and Yarico, ibid. Ariftotle, his obfervation upon the Iambick verfe, N. 31. upon tragedies, 40, 42. Arfinoe, the firft mufical opera on the English ftage, N. 18. Avarice, the original of it, N. 55. Operates with luxury, ibid. at war with luxury, ibid. its officers and adherents, ibid. comes to an agreement with luxury, ibid. Audiences at prefent void of common fenfe, N. 13. Aurelia, her character, N. 15. Author, the neceffity of his readers being acquainted with his fize, complexion, and temper, in or der to read his works with pleafure, N. 1. his opinion of his own performances, 4. The expedient made use of by those that write to the ftage, 51 B BACON, (Sir Francis) his comparison of a book well written, N. 10. his obfervation upon envy, 19. Bags of money, a fudden transformation of them into sticks and paper, N. 3. Baptift Lully, his prudent management, N. 29. Bawdry, never writ but where there is a dearth of invention, N. 51. Beaver, the haberdafher, a great politician, N. 49. Beauties, when plagiaries, N. 4. The true fecret how to improve beauty, 33. then the most charm ing when heightened by virtue, ibid. Hh 2 Bell Bell, (Mr.) his ingenious device, N. 28. Blackmore, (Sir Richard) his observation, N. 6. Blank verfe proper for tragedy, N. 39. Bohours, (Monfieur) a great critick among the Bouts-Rimez, what, N. 60. Breeding, fine breeding distinguished from good, British Ladies diftinguifhed from the Pis, N. 41. Bullock and Norris, differently habited, prove great Butts defcribed, N. 47. the qualification of a butt, C Efar (Julius) his behaviour to Catullus, whe Caligula, his wifh, N. 16. Camilla, a true woman in one particular, N. 15. Cenfor of fall wares, an officer to be erected, Charles I. a famous picture of that prince, N. 58. Chronogram, a piece of falfe wit, N. 60. 70, Cicero, a punfter, N. 61. The entertainment found Clarinda, an idol, in what manner worshiped, N. 73. Clergyman, one of the Spectator's club, N. 2. ral ral names of clubs, and their originals, ibid. &c. Commerce, the extent and advantage of it, N, 69. Coquettes, the prefent numerous race, to what Coverley (Sir Roger de) a member of the Spectator's Courtiers habit, on what occafions hieroglyphical, Cowley abounds in mist wit, N. 62. Crab, of King's College in Cambridge, Chaplain to Credit, a beautiful virgin, her situation and equi- Crafs (Mifs) wanted near half a tun of being as D Dancing, a difconrfe on it, defended, N. 67. Death, the time and manner of our death not Deformity, no caufe of fhame, N. 17. Delight and furprife, properties effential to wit, N. 62. Dignitaries of the law, who, N. 21. Divorce, what esteemed to be a juft pretenfion to Donne (Dr.) his description of his mistress, N. 41. Hh3 Dryden, Dryden, his definition of wit centured, N. 62. Dutch more polite than the English in their build- E ENvy: The ill ftate of an envious man, N. 19. Ephefian Matron, the ftory of her, N. 11. · Epigram on Hecatiffa, N. 52. Epitaphs, the extravagance of fome, and modesty Equipages, the fplendour of them in France, N. 15. Eubulus, his character, N. 49. Eacrate, the favourite of Pharamond, N. 76. F Able of the lion and the man. N. 11. Of the Falsehood, (the goddefs of) N. 63. Falfe wit, the region of it, N. 25. Falstaff, (Sir John) a famous butt, N. 47. Fame, generally coveted, N. 73. Fafhion, the force of it, N. 64. Fear of death often mortal, N. 25. Fine Gentlemen, a character frequently mifapplied Flutter, (Sir Fopling) a comedy; fome remarks up- on it, N. 65. Fools, Fools, great plenty of them the first day of April, Freeport, (Sir Andrew) a member of the Spectator's French poets, wherein to be imitated by the English, Friendship, the great benefit of it, N. 68. The me- G GAlantry; wherein true galantry ought to con- fift, N. 7. Gaper; the fign of the gaper frequent in Amfter- Ghofts warned out of the playhouse, N. 36. the Gofpel-goffips defcribed, N. 46. Goths in poetry, who, N. 61. H Handkerchief, the great machine for moving Happiness, (true) an enemy to pomp and noise, Hard words ought not to be pronounced right by Heroes in an English tragedy generally overs, N. 40. Human nature, the fame in all reasonable crea- Honour to be defcribed only by negatives, N. 35. Iambick |