Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 4 aug 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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... British Film Institute , The Machine Room , and Warner Brothers Clips Department . Over the course of the exhibition's development assis- tance has been given also by Emma Mahony , Clare Carolin , Clare Hennessy , Stephanie Allen ...
... British Film Institute ; Marlborough International Fine Art ; Michael Hoppen Gallery , London ; Robert and Lisa Sainsbury Collection , University of East Anglia ; Scottish National Gallery of Modern Art , Edinburgh ; Tate ; The Albert ...
... British Film Institute fig . 17 ( p . 208 ) Film Photos Like Never Seen Before , 1929 Kindt & Bucher Verlag , Giessen fig . 18 ( p . 212 ) Anon Georges Henri Rivière on the Roof of the Trocadéro during Demolition , Spring 1936 ...
Overige edities - Alles bekijken
Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |