Undercover Surrealism: Georges Bataille and Documents
An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times.
In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille--poet, philosopher, writer, and self-styled "enemy within" surrealism--used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London
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Musee nattonal d'art moderne - Centre de creation industrielle AM 1370 S ©
DACS 2006 Photo: CNAC/MNAM Dist. RMN- © Jacques Faujour 63 (P- 155)
Hans Arp Leaves IV (Feuilles IV), 1930 Relief, painted wood 19 * 34 STIFTUNG
Purchased from Mme Denise Boillard (fttris) in 1984 AM 1984-148 Photo: CNAC/
MNAM Dist. RMX - *: Philippe Migeat 74 (P- 1i8) Jacques-André Boiflard Beneath
the Mask, Piecre Pręvert (Sous le masque, Pieere Prévert), 1930 Silver gelatin ...
London 2006 Photo: CNAC/MNAM Hist. RMN - © Droits reserves 88 (p. ... Musee
national d'art mcxlerne C ientre de creation industrielle © M. et Mmc Jean-Pierre
Marchand Photos: CNAC/MNAM Dist. RMN ©Jacques Faujour 100 (p.
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Art historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen