Undercover Surrealism: Georges Bataille and Documents
Hayward Gallery, 2006 - 271 pagina's
In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dali, Miro, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader.
Copublished by Hayward Gallery Publishing, London
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Didi-Huberman singles out an example from the final issue of DOCUMENTS,
where a bronze bust by the baroque sculptor Franz Xavier Messerschmidt
resonates uncannily with a photograph of a leather mask.13 The reader is
provoked into ...
74) B Jacques- Andre Boiflard, Beneath the Mask, Pierre Prevert, 1930 (cat. ...
The four pictures of men modelling carnival masks are more distanced and were
shot in clear daylight, while the largest group of pictures that Boiffard produced
Skin- covered Helmet Mask, laic 19* C. Wood, leather, metal 115x41x45 Museum
fur Volkerkunde Hamburg 568:06 Photo: C Museum fiir Volkerkunde Hamburg;
Brigitte Saal 50 (p. 201) Anon, Nigeria: Ngbc society Mask, iQ'h - early 20'h C.
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Undercover surrealism: Georges Bataille and DOCUMENTSGebruikersrecensie - Not Available - Book Verdict
Art historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen
DOCTRINES The Appearance of Things Simon Baker
ARCHAEOLOGY CFB Miller
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