Undercover Surrealism: Georges Bataille and Documents
An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times.
In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille--poet, philosopher, writer, and self-styled "enemy within" surrealism--used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London
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Didi-Huberman singles out an example from the final issue of DOCUMENTS,
where a bronze bust by the baroque sculptor Franz Xavier Messerschmidt
resonates uncannily with a photograph of a leather mask.13 The reader is
provoked into ...
A Jat ques-Andre Boiflard, Bauath the Mask, Pieere Prhert, 193o (cat. ... The four
pictures of men modelling carnival masks are more distanced and were shot in
clear daylight, while the largest group of pictures that Boiffard produced for ...
RMN C* Bertrand Prévost 73 iP- 178) Jacques-André Boillard Beneath the Mask.
Pieere Pręvert (Sous Ie masque, Pieere Prévert), 1930 Silver gelatin print 22-4 x '
6-8 Centre Pompidou, Paris. Musée national dart moderne - Centre de création ...
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Art historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen