Undercover Surrealism: Georges Bataille and Documents
An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times.
In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille--poet, philosopher, writer, and self-styled "enemy within" surrealism--used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London
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Georges Bataille and Documents Dawn Ades, Simon Baker, Hayward Gallery
Fiona Bradley. A DOCUMENTS , 7 , 1929 B DOCUMENTS , 1 , 1930 C
DOCUMENTS , 4 , 1929 D Pierre Souvestre and Marcel Allain , Fantômas . ' Les
amours d ...
111): 6-5 x 9 TEX 1995-99 '28) Centre Pompidou, Paris. Musee national d'art
mcxlerne C ientre de creation industrielle © M. et Mmc Jean-Pierre Marchand
Photos: CNAC/MNAM Dist. RMN ©Jacques Faujour 100 (p. 204r Man Ray.
London 168 William B. Seabrook Lite magtque, 1930 Published by Firmin-Didot.
Paris Collection of Dr Eddy Alette 169 William Seabrook Jungle Ways, i931
Published by George Harrap & co, London Private collection. London 170 Pierre
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Art historian Ades, the author of several books on Surrealism and Dadaism, and Baker (art history, Univ. of Nottingham), a member of the editorial group of theOxford Art Journal , here tell the story ... Volledige review lezen