Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 4 aug 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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... painters generally kept their distance from this incipient art market as one of them told Griaule , they were ' not ... painter was Agnagnahou Engeda . His name doesn't appear in DOCUMENTS , even though , as Griaule confirms in a later ...
... painter . And it is with him in mind that he praises the painter of The Legend of the Queen of Sheba for ' an effort at least as interesting as that of painters on the payroll of the King of Ethiopia who are sent in our schools to learn ...
... painter . He did not leave his village until he was 14 when , in 1915 , he enrolled at secondary school , leaving four years later in order to become a painter or a sculptor , which had been his intention for several years . For six ...
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Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |