Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 4 aug 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
Vanuit het boek
Resultaten 1-3 van 24
... tion often ruptures those ideas . The originary moments dispersed across his texts such as the evolutionary transition between quadruped and biped , the sadistic aetiology of art , the asexual reproduction of cells or the emergence of ...
... tion of the Black Birds , from ' a point on the other side of art ' , secured as entertainment , but only fully contextualised by the racism inherent in colonial cultural exchanges , deals with ' race ' not as a problem or political ...
... tion , that is to say , that the altered object ( paper or wall ) is transformed to the point where it becomes a new object , a horse , a head , a man . Finally , by dint of repeti- tion , this new object is itself altered by a series ...
Overige edities - Alles bekijken
Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |