Undercover Surrealism: Georges Bataille and DOCUMENTSMIT Press, 4 aug 2006 - 271 pagina's An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London |
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... visual rhetoric , marshalled against contemporary aesthetic conventions . Understanding the visual culture against which DOCUMENTS emerged is therefore absolutely vital , although it was not ( surprisingly enough ) surrealist ...
... visual patterns , he claims , dismantled the traditional crafts . In that sense , his aesthetic reflection on African art was more and more affected by the white shadows cast on it by the political dimension of colonialism . It might ...
... visual field was a domain continuous with politics and philosophy ; thus , in his article on Salvador Dali's Lugubrious Game ( 7 , 1929 ) , he uses Picasso to attack idealism : ' If the forms brought together by a painter on a canvas ...
Overige edities - Alles bekijken
Undercover Surrealism: Georges Bataille and DOCUMENTS Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |
Undercover Surrealism: Georges Bataille and Documents Dawn Ades,Simon Baker Geen voorbeeld beschikbaar - 2006 |