In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... critical awareness of how each of those guises is always already present in and disruptive of the supposed originarity of that primal scene . What are the politics of this unavoidably reproducible and reproductive perfor- mance ? What ...
... critical suppression extends . Such transfer demands that one ask if every recitation is a repression and if every reproduction of a performance is its disappearance . Douglass and Hartman confront us with the fact that the conjunction ...
... critical deployment of such music and speech , Douglass dis- covers a hermeneutic that is simultaneously broken and expanded by an operation akin to what Jacques Derrida refers to as " invagination . " 5 This cut and augmented ...
... critical acumen , nevertheless find that the use - value of material objects belongs to them independently of their material properties , while their value , on the other hand , forms a part of them as objects . What confirms them in ...
... critical remixing of nonconvergent tracks , modes of preparation , traditions , we can think how the commodity who speaks , in speaking , in the sound — the inspirited materiality — of that speech , constitutes a kind of temporal warp ...
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |