In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... emerges from the sonic event Marx subjunctively produces without sensually discovering ? To ask this is to think what's at stake in the music : the universaliza- tion or socialization of the surplus , the generative force of a venerable ...
... emerges in a " social cli- mate " in which motherhood is not perceived " as a legitimate procedure of cultural inheritance " : The African - American male has been touched , therefore , by the mother , handled by her in ways that he ...
... emerges and which he describes and narrates . This is to say that enslavement — and the resistance to enslavement that is the performative essence of black- ness ( or , perhaps less controversially , the essence of black performance ) ...
... emerges , before meaning . Is the free- dom drive conservative ? Is there some Aristophanean return to a prior unity ? Is that which is before swing also before eros , that drive " to establish ever greater unities and to preserve them ...
... emerges from the body . He says : There can be no question but that the libido has somatic sources , that it streams to the ego from various organs and parts of the body . This is most clearly seen in the case of that portion of the THE ...
Inhoudsopgave
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31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |