In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... finally , in the implications of the break- ing of such speech , the elevating disruptions of the verbal that take the rich content of the object's / commodity's aurality outside the confines of meaning precisely by way of this material ...
... Finally , the destination is also subject to cut and augmentation . This requires a trip through Paris . This is when Harlem is no longer a point of arrival . This constella- tion is initially marked by a particular black modernist ...
... finally , before even Delaney himself . In spite of the uncountable instances of such geo- graphic activity , this encounter is most often conceived of as driven by an agency that moves in only one direction . Whereas a powerful strain ...
... finally , the text above.22 At the same time , the voices / forces also emerge , according to Leeming , as the concrete form of and response to a compartmentali- zation of Delaney's life that became increasingly severe over the course ...
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Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |