In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... knowledge , support , and time . In both of them , the richest style moves in perfect harmony with the deepest substance . William Corbett , Masao Miyoshi , Avital Ronell , Ann Banfield , Stephen Booth , Herman Rapaport , Kathryne ...
... knowledge of the future in the present is bound up with what is given in something Marx could only subjunctively imagine : the commodity who speaks . Here is the relevant passage from volume 1 of Capital , at the end of the chapter on ...
... knowledge of slavery and the knowledge of freedom — operate as a kind of anacrusis ( a RESISTANCE OF THE OBJECT - 21.
... knowledge that he covers by entering into a discourse on music . Douglass ( and , by extension , Roach and Brown and the entire line of mastery's disruptive , oppositional , anoriginal recording ) was already sexually cut and aug ...
... knowledge of the ) arrangement : Ellington would sing the parts , forging the preparation of the music beside writing , the orchestra's change of motion dri- ven , given , proportional to his motive force or drive . That drive , again ...
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |