In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... look elsewhere and consider those scenes in which terror can hardly be discerned .... By defamiliarizing the familiar , I hope to illuminate the terror of the mundane and quotidian rather than exploit the shocking spectacle . What ...
... Look at that little black faggot riding with those two white boys . " 18 Gaston Ferdière was Beauford Delaney's doctor , too . Delaney's biogra- pher , who is also Baldwin's biographer , David Leeming , informs us : On December 20 ...
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Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |