In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... meaning precisely by way of this material trace . More specifically with regard to Douglass's prefatory scene and its subsequent restagings , I'm interested in establishing some procedures for discovering the rela- tionship between the ...
... meaning over con- tent and the reduction of phonic matter and syntactic " degeneracy " in the early modern search for a universal language and the late modern search for a universal science of language . This disruption of the En ...
... meaning of those impossible or unreal propositions imposed upon the commodity from outside . The words Marx puts into the commodity's mouth are these : " our use value ... does not belong to us as objects . What does belong to us as ...
... meaning with a phonographic , remateri- alizing inscription . That irruption breaks down the distinction between what is intrinsic and what is given by or of the outside ; here what is given inside is that which is out - from - the ...
... meaning to them- selves . I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery , than the reading of whole volumes of philosophy on the subject could do ...
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |