In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... operates within the constellation of self - possession , capacity , subjectivity , and speech . He can point to but not be commu- nist . What does the dispropriative event have to do with communism ? What's the revolutionary force of ...
... ity ; articulated , more precisely , in the phonography of the very screams that open the way into the knowledge of slavery and the knowledge of freedom — operate as a kind of anacrusis ( a RESISTANCE OF THE OBJECT - 21.
The Aesthetics Of The Black Radical Tradition Fred Moten. freedom — operate as a kind of anacrusis ( a note or beat or musicked word improvised through the opposition of speech and writing before the definition of rhythm and melody ) ...
... operates after the fact of a locatable natality before which there is nothing . What does the sexual cut do to the primal scene ? What does it do to the drive structure ? What does the drive structure do to it ? What I'm really try- ing ...
... fundamental connection between the ( re ) pro- duction and performance of the surplus and the avant - garde.14 This connection is bound to others or operates in a cumulative THE SENTIMENTAL AVANT - GARDE - 31 Voices/Forces.
Inhoudsopgave
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Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |