In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
Vanuit het boek
Resultaten 1-5 van 15
... Photograph , " in Loss , edited by David Kazanjian and David Eng ( Berkeley : University of California Press , 2002 ) ; copyright 2002 by the Regents of the University of California ; reprinted by permission of the University of ...
... Black Mo'nin ' in the Sound of the Photograph 192 Tonality of Totality 211 Resistance of the Object : Adrian Piper's Theatricality 233 Notes 255 Index 307 Acknowledgments All love and thanks to my comrade and companion.
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Overige edities - Alles bekijken
In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |