In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... playing jazz . He was playing his spirit . And I think that's the problem for a lot of the musicians on the scene now . They think that they're playing jazz . But there's no such thing , really / I'm possessed of my own spirit / This is ...
... played without which is to say outside — music , their arrangement signifying ( their knowledge of the ) arrangement : Ellington would sing the parts , forging the preparation of the music beside writing , the orchestra's change of ...
... play of encounter into our analytic , making certain folks meet in the city . Turning point might then become vanishing point , where the absent presence of the performance becomes the absent and structuring center of perspectival urban ...
... play with Cecil Taylor , to hear what is transmitted on frequencies outside and beneath the range of reading . Notes composed in the interest of that preparation : phrases : 29 Charles Lloyd , asked to comment on a piece of his music by ...
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Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |