In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... production of that performance in all its guises and for a critical awareness of how each of those guises is always already present in and disruptive of the supposed originarity of that primal scene . What are the politics of this ...
... production . The recitation of Douglass's repression , the repression embedded in his recitation , is there in Hartman as well . Like Douglass , she transposes all that is unspeakable in the scene to later , ritualized , " soulfully ...
... production . In Caribbean Discourse Edouard Glissant writes : From the outset ( that is from the moment Creole is forged as a medium of communication between slave and master ) , the spoken imposes on the slave its particular syntax ...
... production of natural children ) emerges right on time as it has to do not only with the question concerning slavery , blackness , per- formance , and the ensemble of their ontologies but also with a contra- diction at the heart of the ...
... production is thus posited as the fundamental point of capitalist production , and the laws that govern it as the laws that charac- terize capitalism itself . Reproduction now becomes posited as " natural " production.16 Fortunati joins ...
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |