In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... reduction of phonic matter and syntactic " degeneracy " in the early modern search for a universal language and the late modern search for a universal science of language . This disruption of the En- lightenment linguistic project is of ...
... reduction of phonic substance . In any case , it is impossible that sound , as a material element , should in itself be part of the language . Sound is merely something ancillary , a material the language uses . All conventional values ...
... reduction of but the reduction to phonic materiality where re - en - gendering prefaces and works RESISTANCE OF THE OBJECT - 23.
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Inhoudsopgave
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31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |