In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... requires analyses of looking and being looked at ; such game requires , above all , some thinking about the opposition of spectacle and routine , violence and pleasure . This thinking is Hartman's domain . A critique of the subject ...
... require a kind of balance in a structure that is originarily asymmetrical , where there seems to be an originary surplus located at the site of the unlocatable origin of eros , the anteoriginary or , as Andrew Benjamin might put it ...
... requires a trip to Paris . The trip moves by way of Harlem and the Village , by way of the out extension of renaissance . Actually , the trip has an uncountable number of points of embarkation , none of which is originary , and is made ...
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Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |