In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... structure or idea of citizen- ship — as well as modes of radical performativity or subversive imper- sonation — are always already embedded in the structure they would escape . But if Hartman moves in this field she also moves in ...
... structures Scenes of Subjection . The dialogue is opened by a refusal of recitation that reproduces what it refuses . Hartman swerves away from Douglass and thereby runs right back to him . She also runs through him into territory he ...
... structure born in objection that he neither realizes nor anticipates . There is something more here than alienation and fetishiza- tion that works , with regard to Marx , as a prefigurative critique . How- ever , according to Ferdinand ...
... structure that is originarily asymmetrical , where there seems to be an originary surplus located at the site of the unlocatable origin of eros , the anteoriginary or , as Andrew Benjamin might put it , " anoriginal " drive . This ...
... structure as that between the origin and the initial . ) There can be no question of restricting one or the other of the basic drives to one of the provinces of the mind . They must necessarily be met with everywhere . We may picture an ...
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |