In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 9 apr 2003 - 332 pagina's Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
Inhoudsopgave
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Geen voorbeeld beschikbaar - 2003 |