The Third Rose: Gertrude Stein and Her World |
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Pagina 70
Leo was impressed with his “ extraordinary seeing eyes ” ; his gaze was so
intense , Leo reported , that after Picasso had looked at a drawing or a print one
felt , literally , that his eyes had absorbed everything on the paper . But as a
personality ...
Leo was impressed with his “ extraordinary seeing eyes ” ; his gaze was so
intense , Leo reported , that after Picasso had looked at a drawing or a print one
felt , literally , that his eyes had absorbed everything on the paper . But as a
personality ...
Pagina 137
Since the educated and tradition - biased eye of the critic is , in a sense , the least
pure , the least prone to erase its memories , it is little wonder that in the furies of
aesthetic polemics the paintings themselves were at times all but forgotten .
Since the educated and tradition - biased eye of the critic is , in a sense , the least
pure , the least prone to erase its memories , it is little wonder that in the furies of
aesthetic polemics the paintings themselves were at times all but forgotten .
Pagina 397
A writer does not write with his ears or his mouth , he writes with his eyes , ” she
said . “ It is his eyes that make his writing , sound is not of any interest to him ,
ears and mouth useless from the standpoint of writing , all he needs are his eyes
and ...
A writer does not write with his ears or his mouth , he writes with his eyes , ” she
said . “ It is his eyes that make his writing , sound is not of any interest to him ,
ears and mouth useless from the standpoint of writing , all he needs are his eyes
and ...
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accepted Alice already American appearance artist asked attempt became become began beginning believe called career character completely continued course critic cubist early English everything experience expressed eyes fact famous feel felt finally Four French friends Gertrude Stein Gertrude's give hand happened hope human ideas important interest Italy James kind knew language later least less letter literary literature lived looked maquis Matisse matter means method mind Miss moved nature never objects once painters painting Paris perhaps period Picasso play portrait present published reader regarded relation remained reported rose Saints seemed sense simply soon stories success talk tell thing thought Three tion told took turned wanted writing written wrote young
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