The Third Rose: Gertrude Stein and Her World |
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Pagina 129
continuum that was soon a commonplace matter in science and in metaphysics . Like the young painters who conceived of their work as independent of exterior reality — as , in the words of Apollinaire , “ drifting towards an entirely new ...
continuum that was soon a commonplace matter in science and in metaphysics . Like the young painters who conceived of their work as independent of exterior reality — as , in the words of Apollinaire , “ drifting towards an entirely new ...
Pagina 155
That is , as Matisse seeing a fairly rich curve or a pleasant spot of color in the subject matter would exaggerate these into a sumptuous curve or a gorgeous area of color on his canvas , and as Picasso would make any approximately flat ...
That is , as Matisse seeing a fairly rich curve or a pleasant spot of color in the subject matter would exaggerate these into a sumptuous curve or a gorgeous area of color on his canvas , and as Picasso would make any approximately flat ...
Pagina 320
However , there was still the matter of a quarrel with Thomson to be overcome . “ In the meantime , ” she wrote , “ it is not to be not remembered that I had quarrelled with Virgil Thomson and I had heard nothing from him , he had gone ...
However , there was still the matter of a quarrel with Thomson to be overcome . “ In the meantime , ” she wrote , “ it is not to be not remembered that I had quarrelled with Virgil Thomson and I had heard nothing from him , he had gone ...
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accepted Alice already American appearance artist asked attempt became become began beginning believe called career character completely continued course critic cubist early English everything experience expressed eyes fact famous feel felt finally Four French friends Gertrude Stein Gertrude's give hand happened hope human ideas important interest Italy James kind knew language later least less letter literary literature lived looked maquis Matisse matter means method mind Miss moved nature never objects once painters painting Paris perhaps period Picasso play portrait present published reader regarded relation remained reported rose Saints seemed sense simply soon stories success talk tell thing thought Three tion told took turned wanted writing written wrote young
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