The Third Rose: Gertrude Stein and Her World |
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Pagina 145
By the time literary cubism in France had developed its two diverse tendencies - one moving toward an abstract architecture of names , objects , facts , the other toward a more " poetic " enumeration of the associations and essences of ...
By the time literary cubism in France had developed its two diverse tendencies - one moving toward an abstract architecture of names , objects , facts , the other toward a more " poetic " enumeration of the associations and essences of ...
Pagina 157
The cubists , on the other hand , abjured myth , tradition and all the emotions that were the residual part of their associations To create unique objects — a painting or a poem that would not confirm a truth , or newly dramatize an old ...
The cubists , on the other hand , abjured myth , tradition and all the emotions that were the residual part of their associations To create unique objects — a painting or a poem that would not confirm a truth , or newly dramatize an old ...
Pagina 160
... and to record them in words regarded as objects rather than as references to objects . This abrogation of the conventional order of relations among things and the mind that perceives them represented a kind of deliberate barbarism .
... and to record them in words regarded as objects rather than as references to objects . This abrogation of the conventional order of relations among things and the mind that perceives them represented a kind of deliberate barbarism .
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accepted Alice already American appearance artist asked attempt became become began beginning believe called career character completely continued course critic cubist early English everything experience expressed eyes fact famous feel felt finally Four French friends Gertrude Stein Gertrude's give hand happened hope human ideas important interest Italy James kind knew language later least less letter literary literature lived looked maquis Matisse matter means method mind Miss moved nature never objects once painters painting Paris perhaps period Picasso play portrait present published reader regarded relation remained reported rose Saints seemed sense simply soon stories success talk tell thing thought Three tion told took turned wanted writing written wrote young
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