The History of SurrealismBelknap Press of Harvard University Press, 1989 - 351 pagina's "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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... Benjamin péret to Charles Duits, 1 May 1942, quoted in Bradu, Benjamin Pérety México, 16. 10. Benjamin péret, quoted in Bradu, Benjamin Pérety México, 75. 11. andré Breton “souvenir du Mexique,” Minotaure, nos. 12–13 (1939). 12. Benjamin ...
... Péret enjoys in surrealist circles an unrivaled reputation as a great poet , in that special sense with which the word " poet " is invested in sur- realism . In an important theoretical article called " La Pensée est Benjamin Péret.
... Benjamin Péret , " D'une Décalcomanie sans objet préconçu ( décalcomanie du désir ) , " Minotaure 8 ( 1936 ) : 18-24 . 54. Benjamin Péret , " Ruines : Ruine des Ruines , " Minotaure 12-13 ( May 1939 ) : 57-65 . He mentioned Mussolini's ...
Inhoudsopgave
NOTE TO THE 1989 EDITION | 11 |
FOREWORD | 35 |
THE POETS IN THE | 52 |
Copyright | |
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