The History of SurrealismBelknap Press of Harvard University Press, 1989 - 351 pagina's "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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... continued to astound them ; Apollinaire , " the last great poet " ( Breton ) ; Reverdy , already using a number of surrealist methods in the composition of his admirable poems ; Max Jacob , " fraud of genius . " Apolli- naire's ...
... continued . Pierre Naville , who had not been able to inflect its development toward a consistent political posi- tion , took a " secret leave " and became co - director of Clarté , where he nonetheless continued to publish the essays ...
... continued : alongside Max Ernst's visions de demi - sommeil , dreams by Aragon and Naville , Robert Desnos in the Journal d'une apparition traced a phantom that visited him every night from November 16 , 1926 to January 16 , 1927 ...
Inhoudsopgave
NOTE TO THE 1989 EDITION | 11 |
FOREWORD | 35 |
THE POETS IN THE | 52 |
Copyright | |
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