The History of SurrealismBelknap Press of Harvard University Press, 1989 - 351 pagina's "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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... fact , they claimed for them an infinitely greater value.2 2 " ... The logical methods of our time no longer apply except to the solution of secondary problems . The absolute rationalism still fashionable permits consideration only of facts ...
... fact that he counted himself among the artists and that he became and remained a great revolutionary artist , that surrealism as a whole would be and remain a great revolutionary artistic movement , having its influence on life to the ...
... fact that nothing can humanly prove the victim's share of initiative or provocation . But in this case , the innocent party had chosen wisely , and if the seducer did not intend to make an honest ( and rich ) woman of her , the fact ...
Inhoudsopgave
NOTE TO THE 1989 EDITION | 11 |
FOREWORD | 35 |
THE POETS IN THE | 52 |
Copyright | |
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