The History of Surrealism
Belknap Press of Harvard University Press, 1989 - 351 pagina's
"I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali.
Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others.
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... further step must be taken : one must adhere to the party of the Revolution . This the Five did : they announced the fact publicly and , overstepping their individual positions , they committed the sympathy of the entire movement to ...
... Further , dissensions within the surrealist group ( expulsion of Georges Hugnet because of his friendship with Éluard , who had broken with the group to go over to the communists ) unfortunately spread to the Federation . Further ...
... further , the two great reefs on which such an art cannot help but founder , that is , the servile imitation of nature in its accidental forms , the very consequence for man of his profound disaffection , and humor , the consequence of ...
NOTE TO THE 1989 EDITION
THE POETS IN THE
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