The History of SurrealismBelknap Press of Harvard University Press, 1989 - 351 pagina's "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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... ment , its birth more or less coincident with the end of the First World War , its dissolution with the beginning of the Second ; promoted by men expressing themselves by poetry , painting , essays , or the conduct of life , the ...
... ment of Lenin and Trotsky . On the first level was the Clarté group , with which there had been bitter polemics in the past ( the Aragon - Bernier dispute ) , and which was the only one to take any effective action against the Moroccan ...
... ment that has succeeded in covering the distance separating " the two wars . He saw its flowering in Julien Gracq's novel The Castle of Argol , “ in which doubtless for the first time surrealism freely turns around to confront the great ...
Inhoudsopgave
NOTE TO THE 1989 EDITION | 11 |
FOREWORD | 35 |
THE POETS IN THE | 52 |
Copyright | |
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