The History of Surrealism"I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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him , became aware of " these new sensations that filled the at- mosphere , ” and it was in a tone of the most enthusiastic admira- tion that he hailed both the Russian Revolution and its leaders.8 He showed a particular admiration for ...
6 L'Humanité , " puerile , declamatory , uselessly cretinizing , an un- readable paper , entirely unworthy of the role of proletarian educa- tion it claimed to assume . " Why ? Because the Communist Party was based solely on the defense ...
If we need to be defended against the narrow - mindedness of the militants who do not appreciate the message of human libera- tion transmitted by Sade and Lautréamont , why don't you defend us openly and responsibly and deliberately ...
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LibraryThing Review
Gebruikersrecensie - giovannigf - LibraryThingVery comprehensive history of the movement largely based on the group's documents: manifestos, edicts, articles, and speeches. Unfortunately that means that the individual participants remain sketchy ... Volledige review lezen
Inhoudsopgave
NOTE TO THE 1989 EDITION | 11 |
FOREWORD | 35 |
THE POETS IN THE | 52 |
Copyright | |
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