His square-turned joints, and strength of limb, In camps a leader sage. Well was he armed from head to heel, A falcon hovered on her nest, With wings outspread, and forward breast; Soared sable in an azure field: Behind him rode two gallant squires Four men-at-arms came at their backs, SIR WALTER SCOTT. ALNWICK CASTLE. HOME of the Percy's high-born race, Home of their beautiful and brave, Alike their birth and burial place, Their cradle and their grave! Still sternly o'er the castle gate Their house's Lion stands in state, As in his proud departed hours; And warriors frown in stone on high, And feudal banners "flout the sky" Above his princely towers. A gentle hill its side inclines, Lovely in England's fadeless green, As silently and sweetly still While summer's wind blew soft and low, I wandered through the lofty halls Each high, heroic name, From him who once his standard set Where now, o'er mosque and minaret, Glitter the Sultan's crescent moous, To him who, when a younger son, Fought for King George at Lexington, A major of dragoons. That last half-stanza, it has dashed And beasts and borderers throng the way; Men in the coal and cattle line; From Teviot's bard and hero land, From royal Berwick's beach of sand, From Wooller, Morpeth, Hexham, and Newcastle-upon-Tyne. These are not the romantic times So dazzling to the dreaming boy; You'll ask if yet the Percy lives In the armed pomp of feudal state. Of Hotspur and his "gentle Kate," A chambermaid, whose lip and eye, And cheek, and brown hair, bright and curling, And one, half groom, half seneschal, FITZ-GREENE HallECK. SONNET. COMPOSED UPON WESTMINSTER BRIDGE, LONDON, 1802. EARTH has not anything to show more fair; All bright and glittering in the smokeless air. Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still! WILLIAM WORDSWORTH NUREMBERG. IN the valley of the Pegnitz, where across broad meadow-lands Rise the blue Franconian mountains, Nuremberg, the ancient, stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables like the rooks that round them throng: Memories of the Middle Ages, when the emperors rough and bold Had their dwellings in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great, imperial city stretched its hand to every clime. In the court-yard of the castle, bound with many an iron band, Stands the mighty linden planted by Queen Cunigunde's hand; On the square, the oriel window, where in old heroic days Sat the poet Melchior, singing Kaiser Maximilian's praise. Everywhere I see around me rise the wondrous world of art; Fountains wrought with richest sculpture standing in the common mart; And above cathedral doorways saints and bishops carved in stone, By a former age commissioned as apostles to our own. In the church of sainted Sebald sleeps enshrined his holy dust, And in bronze the Twelve Apostles guard from age to age their trust; In the church of sainted Lawrence stands a pix of sculpture rare, Like the foamy sheaf of fountains, rising through the painted air. llere, when art was still religion, with a simple | Vanished is the ancient splendor, and before my reverent heart, Lived and labored Albrecht Dürer, the Evan gelist of Art; dreamy eye Wave these mingling shapes and figures, like a faded tapestry. lience in silence and in sorrow, toiling still with Not thy Councils, not thy Kaisers, win for thee busy hand, the world's regard, Like an emigrant he wandered, seeking for the But thy painter, Albrecht Dürer, and Hans Sachs, Better Land. thy cobbler-bard. Emigravit is the inscription on the tombstone Thus, O Nuremberg, a wanderer from a region where he lies, far away, Dead he is not—but departed— for the artist As he paced thy streets and court-yards, sang in never dies: thought his careless lay; Fairer seems the ancient city, and the sunshine Gathering from the pavement's crevice, as a seems more fair floweret of the soil, That he once has trod its pavement, that he once The nobility of labor, — the long pedigree of toil. has breathed its air. Through these streets so broad and stately, these obscure and dismal lanes, Walked of yore the Mastersingers, chanting rude poetic strains; From remote and sunless suburbs came they to the friendly guild, Building nests in Fame's great temple, as in spouts the swallows build. HENRY WADSWORTH LONGFELLOW. As the weaver plied the shuttle, wove he too the Thine was a dangerous gift, the gift of beauty. mystic rhyme, Would thou hadst less, or wert as once thou wast, And the smith his iron measures hammered to Inspiring awe in those who now enslave thee! the anvil's chime, Thanking God, whose boundless wisdom makes the flowers of poesy bloom In the forge's dust and cinders, in the tissues of the loom. But why despair? Twice hast thou lived already, When they who think to bind the ethereal spirit, Here Hans Sachs, the cobbler-poet, laureate of Watch with quick eye, and strike and strike again the gentle craft, If but a sinew vibrate, shall confess Wisest of the Twelve Wise Masters, in huge Their wisdom folly. folios sang and laughed. But his house is now an alehouse, with a nicely sanded floor, And a garland in the window, and his face above the door, Painted by some humble artist, as in Adam Puschman's song, As the old man gray and dovelike, with his great beard white and long. And at night the swart mechanic comes to drown his cark and care, Quaffing ale from pewter tankards, in the master's antique chair. VENICE. FROM "ITALY." SAMUEL ROGERS. Mosque-like, and many a stately portico, The fronts of some, though Time had shattered them, Still glowing with the richest hues of art, ROME. FROM " ITALY." I AM in Rome! Oft as the morning ray As though the wealth within them had run o'er. And from within a thrilling voice replies, Had to make sure the ground they stood upon, A scene of light and glory, a dominion, And whence the talisman by which she rose Thou art in Rome! A thousand busy thoughts Thou art in Rome! the City that so long The lowliest village (what but here and there SAMUEL ROGERS. COLISEUM BY MOONLIGHT. FROM "MANFRED," ACT III. SC. 4. THE stars are forth, the moon above the tops Beautiful! Of the snow-shining mountains. I linger yet with Nature, for the night I learned the language of another world. I do remember me, that in my youth, I stood within the Coliseum's wall, - FROM "CHILDE HAROLD," CANTO IV. ARCHES on arches ! as it were that Rome, Collecting the chief trophies of her line, Would build up all her triumphs in one dome, Her Coliseum stands; the moonbeams shine As 't were its natural torches, for divine Should be the light which streams here, to illume This long-explored, but still exhaustless, mine Of contemplation; and the azure gloom Of an Italian night, where the deep skies assume Hues which have words, and speak to ye of heaven, Floats o'er this vast and wondrous monument, For which the palace of the present hour Must yield its pomp, and wait till ages are its dower. On the arena void, seats crushed, walls bowed, And galleries, where my steps seem echoes strange. ly loud. A ruin, yet what ruin! from its mass When the colossal fabric's form is neared; But when the rising moon begins to climb And the low night-breeze waves along the air Then in this magic circle raise the dead; Heroes have trod this spot, 't is on their dust ye tread. |