Script Analysis for Actors, Directors, and DesignersTaylor & Francis, 2005 - 336 pagina's Script Analysis for Actors, Directors, and Designers applies directly to the experience of theatrical production; students will immediately be able to relate the concepts and procedures they learn to their artistic work. The author's procedural method is detailed and precise. The parts of a play are learned progressively, which fosters an understanding of the concept of artistic unity. Examples are clear and comprehensive. Actors, directors, and designers will benefit from end-of-chapter questions and summaries meant to stimulate their creative process as they engage in production work. |
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Pagina vii
... Action 20 Counter Through—Action 22 Summary 23 Questions 23 Postscript 25 Foundations of the Plot: Given Circumstances Time 28 Place 35 27 CHAPTER 1 CHAPTER 2 Society 41 Economics 48 Politics and Law 50 Intellect and. vii Contents.
... Action 20 Counter Through—Action 22 Summary 23 Questions 23 Postscript 25 Foundations of the Plot: Given Circumstances Time 28 Place 35 27 CHAPTER 1 CHAPTER 2 Society 41 Economics 48 Politics and Law 50 Intellect and. vii Contents.
Pagina viii
... CHAPTER 82 Internal Action 98 Summary 114 Questions 115 Postscript for Action Analysis 115 Plot : Progressions and ... CHAPTER 5 117 CHAPTER 6 Personality Traits Complexity 165 Relationships 166 Summary 168 162 Questions viii Contents.
... CHAPTER 82 Internal Action 98 Summary 114 Questions 115 Postscript for Action Analysis 115 Plot : Progressions and ... CHAPTER 5 117 CHAPTER 6 Personality Traits Complexity 165 Relationships 166 Summary 168 162 Questions viii Contents.
Pagina ix
... CHAPTER 9 Tempo, Rhythm, and Mood 239 Tempo 240 Rhythm 255 Mood 260 Summary 263 Questions 264 CHAPTER The Style of the Play 265 Given Circumstances 266 Background Story 271 Plot 275 Character 282 Preface to the Third Edition This ...
... CHAPTER 9 Tempo, Rhythm, and Mood 239 Tempo 240 Rhythm 255 Mood 260 Summary 263 Questions 264 CHAPTER The Style of the Play 265 Given Circumstances 266 Background Story 271 Plot 275 Character 282 Preface to the Third Edition This ...
Pagina xi
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Inhoudsopgave
CHAPTER 1 Action Analysis | 1 |
Given Circumstances | 27 |
Background Story | 57 |
External and Internal Action | 81 |
Progressions and Structure | 117 |
CHAPTER 6 Character | 145 |
CHAPTER 7 Idea | 175 |
CHAPTER 8 Dialogue | 201 |
CHAPTER 9 Tempo Rhythm and Mood | 239 |
CHAPTER 10 The Style of the Play | 265 |
A Final Word about Dramatic Form | 293 |
Supplementary Topics for Script Analysis | 295 |
Introduction to Genres and Styles of Drama | 301 |
315 | |
323 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Action Analysis actors Angels in America appear Arthur Miller artistic audience background story beats beginning behavior Beneatha Biff Billy Chapter character’s Claudius comedy conflict CREON critics Death designers dialogue directors dramatic dramatists Ekdal emotional example express father feelings Formalist Analysis Ghost Given Circumstances Gregers Hairy Ape Hamlet Happy Days Hedvig Hjalmar Horatio Ibsen idealism important intellectual Internal Action Laertes literary main idea Mama Martin meaning modern plays mood Moscow Art Theatre Mother Courage murder narration objectives Oedipus Rex Ophelia Orgon Piano Lesson play’s playwrights plot political Polonius Raisin readers relationship Relling reveal rhythm Richie role Ruth Salesman Sam Shepard scene School for Scandal script analysis Seed sentences social speech stage directions Stanislavski Streamers style stylistic subtext super-objective Tartuffe tempo theatre theatrical Three Sisters Through-Action tion topic understand values Walter Werle Wild Duck Willy Willy’s words York